Rethinking object design key to 3D printing revolution

6 March 2013
By Sofia Mitra-Thakur
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Wilfried Vancraen, chief executive of Belgian company Materialise, the biggest 3D printer in Europe poses next to 3D designed objects

Wilfried Vancraen, chief executive of Belgian company Materialise, the biggest 3D printer in Europe poses next to 3D designed objects

3D printing could be revolutionised when designers start to rethink the shapes of objects, experts have said.

While 3D printing has already altered the landscape of manufacturing specialised products such as medical devices, the full potential of the technology can only be realised when designers and engineers imagine new products, according to 3D printing specialists.

"You are almost unlimited as to the type of geometric complexity," said Terry Wohlers, an independent analyst who advises companies on the 3D printing sector.

Belgium-based company Materialise, a pioneer in the process, has a display of a foldable chair printed from one continuous piece of plastic – and made with the hinges already joined together, for example.

"You can do shapes and forms that otherwise would be very expensive to do with traditional manufacturing, or would require many parts that then are later assembled," Wohlers said.

The 3D process has been used to build prototypes for 25 years, but only now is making its way into regular production.

Companies such as General Electric plan to use 3D printing to build lightweight aircraft parts, while dentists use it to create crowns in the space of an hour rather than two weeks.

3D printers have made working guns and are being tested to see if they can make houses on the Moon using lunar soil.

Scientists hope they may one day print human organs after researchers successfully printed tissue using human stem cells.

US President Barack Obama even highlighted the technology in this year's State of the Union address as an example of innovation that can create jobs.

But Materialise CEO Wilfried Vancraen, recently voted the most influential person in the 3D printing sector by readers of TCT Magazine, a publication devoted to the industry, says the process is too slow and too expensive to replace most mass market manufacturing.

"3D printing is not suited to making most of the products that we use today. You cannot print a Stradivarius just as you can't print an iPad," he said.

"What we have seen is that just replacing a product by a 3D printed product, for instance in the spare part application, is in many cases even not feasible, and in no cases really economical."

Computers can be involved in the design process and work out how to improve designs, for example how to handle stress better.

"Any part that requires some structural integrity, you can let mathematics decide where to put the material," said Wohlers. "The design can look very organic and very different than what you would normally see."

The technology has already had a huge impact in fields such as medicine and furniture and clothing design.

Over 90 per cent of in-the-ear hearing aids are made using 3D printing, with specially designed software that can work out exactly how to optimise the acoustic properties of the hearing aid into the manufacturing process.

Switzerland-based Sonova, a leading maker of hearing aids, is now using graphics software to modify the shape of the device once it has been scanned, improving its physical fit to the individual ear canal, and its acoustic qualities.

This could not be done cost-efficiently without 3D printing.

"Take your fingers, block both your ear canals and speak, and your own voice sounds horrible," said Stefan Launer, Sonova's vice president Science & Technology.

"By intelligently placing acoustic vents into these housings you can reduce this effect, and that's what we call an acoustic optimised vent, and that's something we can do with this software."

The biggest 3D printers, known as mammoth stereolithograhy machines, have a printing area over two metres long and can take up to a week to complete the biggest print jobs.

Inside, an intricate pattern of lasers play over the surface of liquid plastic resin. Layer by layer, they solidify the resin to form the 3D printed object under the liquid.

At the end of the print, the object rises out of the liquid as it is pushed up out of the reservoir.

In the case of printing houses on the Moon, researchers are experimenting with mixing lunar soil mixed with magnesium oxide and a binding salt, building the structure up layer by layer at about two metres per hour.

To create human tissue, scientists from Scotland's Heriot-Watt University loaded human stem cells into two separate reservoirs and deposited them onto a plate in a pre-programmed pattern.

The first commercial 3D printer was put on show by South Carolina-based 3D Systems in 1988. 

Vancraen set up Materialise two years later.

"Some printers allow now to mix different materials with different material properties: hard, soft, different densities crossing through one piece," he said.

"That is the most unexplored [characteristic], but also the most difficult to really use well."

He believes that as the new uses emerge, the manufacturing applications of 3D printing will continue to grow, eventually being worth 10, 20 or 30 per cent of the manufacturing industry.

Wohlers estimates the 3D printing industry was worth $1.7bn worldwide in 2011, and will grow to more than $3.7bn by 2015.

"The growth has been nothing short of phenomenal," he said.

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