RCA showcases furniture-making finalists
1. Thorne was conscious about making a modest, yet elegant piece of furniture that is economical in its use of materials
2. Michael Warren set out to design furniture using a single piece of timber measuring 25 by 145mm by 1.6m long
3. Matsumoto wanted her design to be a beautiful timber sculpture that would also work as a chair
4. Fascinated with the longevity and solidness of boat construction, they decided to design a floating chair
5. Davies’ interest in food and cooking led her to designing a chair that could be described in the form of a recipe
6. Num. 4 chair reflects Guerrero Font’s interest in the Danish style which typically showcases construction techniques
7. Named after the sculptor Phyllida Barlow, this piece was inspired by one of her works
8. Weller’s design uses string under tension to hold together the elements, which do not even need to touch.
9. Solitude is inspired by the traditionally crafted church chairs found in Cyprus
10. In order to make the chair as sustainable as possible bolts are used to squeeze the chair into its desired shape
11. The concept for Tree Furniture is that it should be carved simply from a tree cut down and left on the forest floor
12. The Well Proven Chair is an experimental project exploring new sustainable ways of production
This month we look at the work of 12 students from the Royal College of Art who were set a challenge of designing and manufacturing a seat from American hardwood.
Under the leadership of tutors Sebastian Wrong and Harry Richardson product design students at the Royal College of Art in London have produced chairs that will be exhibited at the Victoria and Albert museum during the London Design Festival.
The project is collaboration with the American Hardwood Export Council with the use of wood as a material and its associated Life Cycle impacts added to the Design Products programme.
The students were set the challenge of designing a functional chair or seat in an American hardwood of their choice. The designs have been developed in to working prototypes with the help of Benchmark, internationally renowned for its craftsmanship in wood and long-standing relationship with designer Terence Conran. The students camped out on Terence Conran's lawn by night and descended on Benchmark's workshops by day in early July where the company's craftsmen, led by owner Sean Sutcliffe, helped them turn their ideas into reality.
"I was very impressed with the quality of the designs and the students' enthusiasm for their projects," says Sutcliffe. "As experts in woodworking, we saw some very strong pieces come to fruition."
David Venables, AHEC's European Director who developed the idea for the project with Sebastian Wrong, says: "The talent amongst these students is astounding. This project has given them the opportunity to work with hardwood and the fact that they can also see and understand the full environmental impact of their design gives this collaboration extra relevance to today's world, whilst setting it apart from other student design projects."
Beeeench - Petter Thorne
Swedish-born Petter Thorne was conscious about making a modest, yet elegant piece of furniture that is economical in its use of materials. His design, Beeeench, is a 3.5m beam structure made up of thin strips of American ash. Ash is a very strong and flexible timber. "For me this project has been about pushing the material to the limit, Thorne says. Beeeench has removable legs making it easy to transport.
Designed Legacy - Michael Warren
Upon the realisation that one-inch thick, kiln-dried timber requires much less energy to produce than thicker stock, Michael Warren set out to design furniture using a single piece of timber measuring 25 by 145mm by 1.6m long. Warren designed small-scale connections drawing on joints used in green timber frame buildings. Stemming from a great desire to minimise environmental footprint, Warren avoided steam bending to create the curve of his seat, instead using two laminations glued together. The finished stool weighs only 1.5kg. Warren made several stools during his week at Benchmark, his favourite being sapgum, a very lightweight timber, resulting in a featherweight version of his already light stool.
Folded Chair - Norie Matsumoto
Japanese designer and furniture maker, Norie Matsumoto, wanted her design to be a beautiful timber sculpture that would also work as a chair, rather than the reverse approach which is more common. This led to an asymmetric design that unfolds in a surprising yet elegant manner. Folded chair combines American ash and walnut, playing with the light and dark tones and making a point at its asymmetric nature. The fact that it can be folded away when not in use makes it more versatile, helping to guarantee its longevity.
Floating Chair - Bobby Petersen and Tom Gottelier
Bobby Petersen and Tom Gottelier wanted to create an experience, not just a seat. Fascinated with the longevity and solidness of boat construction, they decided to design a floating chair. The boat has been built in marine ply and veneered in American cherry, which was chosen both for its high strength-to-weight ratio and for its colour, which will darken in sunlight. The keel is in American white oak, which is both durable and heavy - a desirable property for a keel. In an unusual twist, the boat can be controlled by a smart phone working with GPS and the software will drive the propulsion system allowing you to sit and relax while the boat takes you for a ride.
Leftover Chairs - Lauren Davies
Lauren Davies' interest in food and cooking led her to designing a chair that could be described in the form of a recipe, made up from a variety of hardwoods with a strong affiliation to food. Many American hardwood species are fruit or nut-bearing, oak, alder and hickory are often used for smoking, maple syrup is extracted from the maple tree and so on. The seat is a traditional Windsor chair with a twist: the seat is pickled with vinegar, the legs are smoked and the spindles of the back are flavoured with fruit essences. Davies' chair is made up of red oak, alder, hard maple, white oak, walnut, black cherry, soft maple, hickory and pecan. The flavourings, which supply colour, include saffron, paprika, blueberry, strawberry, raspberry, beetroot, blackberry, pomegranate and onion skins.
Num. 4 - Santi Guerrero Font
Num. 4 chair reflects Santi Guerrero Font's interest in the Danish style which typically showcases construction techniques. His chair is visually very simple and honest; you can see where the legs pass through the structure and where their ends become flush with the seat. By choosing American ash, one of the strongest timbers, Guerrero Font managed to slim the thickness of the timber required from 20mm to 12mm. The Spanish-born designer made a jig to create the joints so it would be relatively straightforward to make multiple chairs.
Phyllida - Nicholas Gardner and David Horan
Named after the sculptor Phyllida Barlow, this piece was inspired by one of her works. With the aim of creating a packable bench out of harmonious materials, Irish David Horan and Australian Nicholas Gardner have designed a flat-packed bench made out of tulipwood board, 1.5mm ply, bungee cord and no screws. The legs fit into tulipwood base rings and to a circular grove in the underside of the bench. When the bench is to be carried, the legs unroll to become flat, and the base rings slot into another set of groves in the underside of the bench. The whole assembly is held together with cords, which when the bench is assembled joins the rings to hooks on the underneath of the flat bench. Tulipwood was chosen for its character and its strength as well as its light weight, so the bench can be carried by one person.
Snelson - Sam Weller
Sam Weller has always had a keen interest in mechanics and engineering principles. His stool is inspired by Kenneth Snelson's sculptural works that are built around the principle of tensegrity, a concept later defined by Buckminster Fuller, where components of a structure are held together by the continuous tension of binding strings. Weller's design uses string under tension to hold together the elements, which do not even need to touch. The manufacturing process was relatively simple and it would be easy to replace any damaged part, giving the stool, greater longevity. Weller made three stools in American ash, cherry and walnut.
Solitude - Mary Argyrou
Solitude by Mary Argyrou is inspired by the traditionally crafted church chairs found in her home country of Cyprus. Staying true to the values of the church, the chair is modest in its expression and its form engages with the longevity and significance of furniture within a church setting. Made in cherry, it has solid sides with a hinge fold-down seat between them. With the seat down, the user can step back entirely into their own private space. Church furniture can easily last for over a century and there is no reason why this chair should not do the same. "Its life cycle is conveyed both by the enduring qualities of the material and its usage," Argyrou says.
Squeeze - Nic Wallenberg
London-born Nic Wallenberg has created a stackable chair with ergonomic curves. In order to make the chair as sustainable as possible Wallenberg has taken advantages of the strength and flexibility of American hickory and with the use of bolts, he has squeezed the chair into its desired shape. The chair thereby gains ergonomic curves without the use of energy-consuming techniques such as steam bending or press moulding.
Tree Furniture - Anton Alvarez
This unusual bench is designed by Swedish-Chilean Anton Alvarez. The concept for Tree Furniture is that it should be carved simply from a tree cut down and left on the forest floor where it has been cut - an idea that had to be adapted slightly since he was working with American hardwood in England. By means of a portable sawmill and simple hand tools, an American cherry log has been made into a bench. Alvarez' idea is that it would be a pleasure to happen on such a bench during a walk through the woods.
Well Proven Chair - James Shaw and Marjan van Aubel
The Well Proven Chair is an experimental project exploring new sustainable ways of production, utilising timber waste from any well-run factory. Combining timber shavings collected from the workshop floor, bio-resin, water and dye. British-born James Shaw and Dutch-born Marjan van Aubel moulded the porridge-like mass to a classic chair that dried hard to form a hard structure. This unique piece sits on elegant legs of turned ash, contrasting with the liveliness of the seat.
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